The movie shows the coronation of a geek. In grade school, we learn, Howard's father made a more or less daily practice of calling him a moron.

1. Howard Stern Mp3

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Howard was the only white kid in an all-black high school. He didn't date until college (even a blind girl turns him down, after feeling his nose), and he married almost the first woman who was nice to him. Played by Mary McCormack, his wife, Alison, plays a key role in the film, which asks as its underlying subplot, “How much will this woman put up with before she dumps him?” The answer, as Stern listeners know, is “a lot.” “Private Parts” is a biopic about an awkward kid with a bad radio voice and such shaky breath control that he was always running out of steam in the middle of the call letters. Working at a 40-watt station, he's promoted to program manager because he's such a lousy DJ, and is told by the station owner: “Disc jockeys are dogs. Your job is to make them fetch.” Fired from a country station he hates, Howard tells Alison: “I have to be myself on the radio and tell the truth. I have to go all the way.” He does. He reveals things about their marriage on the radio that would be grounds for divorce in any civilized land.

In 1981, Howard arrives at a Washington, D.C., station and is paired for the first time with Robin Quivers, who plays herself in the movie and functions as ballast, steadying Howard in his manic phases and speaking for many members of the audience when she tells him, over and over, that this time he's gone too far. Stern and Quivers are both making their screen acting debuts here, and they do what seasoned actors claim is very difficult: They play convincing, engaging versions of themselves.

The final third of the movie shows Howard in his modern incarnation, as the shock jock who will say almost anything on the radio. He crowns himself King of All Media (tough to do, since by his account he rarely has both hands free at the same time). And he gets into trouble after WNBC, the network's New York flagship, hires him apparently without having listened to his show. His new boss is a program director quickly nicknamed Pig Vomit (well played by Paul Giamatti), who promises his superior, “Either I tame him or I make him so crazy he quits.” The process includes lessons in the proper singsong pronunciation of the call letters.

When one bit goes over the top, Howard makes Robin the fall guy. She's fired and feels betrayed. This episode, based on life, is played honestly; Howard acts like a creep and doesn't resign on principle, although perhaps he is right, strategically, to see the firing as a ploy to get him to resign.

The film has been directed by Betty Thomas (“The Brady Bunch,” “The Late Shift”), whose steadying hand makes it play like a movie and not a series of filmed radio shows. Many sequences are very funny, including one where Howard uses a listener's subwoofer to create effects for which it was not designed.

Stern on-air regulars like Fred Norris and Jackie “The Joke Man” Martling play themselves, and Gary Dell'Abate hosts inserts that feel unrehearsed, including one where a donkey makes a surprise appearance.

Howard Stern Mp3

Stern reportedly rejected two dozen scripts before settling on this one, written by Len Blum. He made the prudent choice. The material is just outrageous enough to be convincingly Stern, but not so far out it will offend those likely to see this movie (the current “Booty Call,” by contrast, is more uninhibited). The movie successfully launches Stern's screen career, and it will be interesting to see how its inevitable sequel, “Miss America,” will develop.

What is certain is that Stern will find a way to stretch the envelope without tearing it; he may have been fined $1 million by the FCC, as his publicity boasts, but he is still, after all, on the air.

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• A choppy amalgram of Revenge of the Nerds, Father Knows Best and Network.
• People who wouldn't be able to distinguish Howard Stern from G. Gordon Liddy will be entertained by something like an off-colour -- and quite funny -- version of Coal Miner's Daughter.
• A comic firecracker with a surprising human touch.
• A flat piece of work with long, slack stretches.
• Stern and Quivers are both making their screen acting debuts here, and they do what seasoned actors claim is very difficult: They play convincing, engaging versions of themselves.
• An entertaining motion picture.

• San Francisco Chronicle

  1/1/2000 by Edward Guthmann

  Surprisingly entertaining but grossly dishonest.
• Some of it is pretty funny, but there's so much more you may just want to tune out.
• This oft-riotous bio is the ultimate loser-makes-good fantasy.
• Empty propaganda film.
• [A] sure-fire hit comedy.
• This is Sterno, not heat, but still plenty rude, crude and lewd.

• Common Sense Media

  9/6/2018 by Barbara Shulgasser

  Tale of shock-jock superstar has sex, nudity, language.

• Ozus' World Movie Reviews

  6/4/2017 by Dennis Schwartz

  Enough fake humility to make you barf if not a fan.
• Straddles the line between hagiography and hogwash as expertly as possible. But in between the surplus of hilarity and hokum, it chips away at hard truths about why Howard Stern remains fascinating in an era where ribaldry is a clickable GIF away.
• [Stern] may be the master of his domain on the radio, but he doesn't necessarily have a future in movies.
• There are some huge laughs here spread consistently through the picture, and screenwriters Len Blum and Michael Kalesniko put virtually no lulls between laughs.